Skip to main content

The Crying of Lot 49

Originally published in July and August 2004, in 2 parts
Book 27 in my first 52 books challenge.


Author: Thomas Pynchon
Year published: 1966
Pages: 183
Genre: Literature
Where got: Public library

This book was recommended to me by Oedipa. I had never heard of it, but it is apparently a classic of 20th century American literature. After a bit of web browsing for information, I decided it would be worthwhile reading.

This review contains possible SPOILERS





The story:
Oedipa Maas is unexpectedly made the executor of the estate of her former boyfriend, Pierce Inverarity. Before long, she is immersed in the investigation of a secret, underground postal service that appears to have its roots way back in history. Along the way, she meets with all sorts of people, some crazier than others, and the book ends as she sits down to attend the auction of Inverarity’s stamp collection, which contains some stamps that may or may not have been made by the people who run the mysterious underground mail system. Or maybe it’s all a conspiracy by Pierce to confound and confuse her? That is left up to the reader to decide.

Technique:
Pynchon has a way with words. What else can I say? Actually, the writing is sometimes convoluted and confusing, like a train that has run off the rails, each sentence apparently loaded with meaning, or perhaps just a jumble of empty words, a stream of consciousness rendered into structured sentences. Somewhere inside this jumble of words is a rather interesting conspiracy plot that is carried along by wordplay and philosophical wondering. The narrative is sometimes funny and always slightly surreal. The story is nearly timeless, only a few hints point to its happening in the 1960’s, which I guess is part of what makes it appeal to people.
Perhaps I wasn’t in the right frame of mind when I read it, but I didn’t much like this book. I had the slight feeling that the author was getting away with a joke that was just out of my grasp, that he was sitting somewhere out of reach and chuckling at me for being too clueless to see it, just like Oedipa near the end of the book.

Rating: Confusing and interesting, slightly surreal and ultimately inconclusive. 2+ stars.

Comments

George said…
Thomas Pynchon was touted as the Great American Novelist in the Sixties and Seventies. THE CRYING OF LOT 49 is Pynchon's shortest novel (which is why it is most frequently used in college English classes). I'm fond of V. It has a lot more humor than THE CRYING OF LOT 49. Pynchon's "masterpiece" is GRAVITY'S RAINBOW. It's 800 pages long and demands plenty of energy to finish it.

Popular posts from this blog

Book 7: Shadow of the Sun by Ryszard Kapuściński (reading notes)

-This reads like fiction - prose more beautiful than one has come to expect from non-fiction and many of the chapters are structured like fiction stories. There is little continuity between most of the chapters, although some of the narratives or stories spread over more than one chapter. This is therefore more a collection of short narratives than a cohesive entirety. You could pick it up and read the chapters at random and still get a good sense of what is going on. -Here is an author who is not trying to find himself, recover from a broken heart, set a record, visit 30 countries in 3 weeks or build a perfectly enviable home in a perfectly enviable location, which is a rarity within travel literature, but of course Kapuściński was in Africa to work, and not to travel for spiritual, mental or entertainment purposes (he was the Polish Press Agency's Africa correspondent for nearly 30 years). -I have no way of knowing how well Kapuściński knew Africa - I have never been there...

Bibliophile discusses Van Dine’s rules for writing detective stories

Writers have been putting down advice for wannabe writers for centuries, about everything from how to captivate readers to how to build a story and write believable characters to getting published. The mystery genre has had its fair share, and one of the best known advisory essays is mystery writer’s S.S. Van Dine’s 1928 piece “Twenty rules for writing detective stories.” I mentioned in one of my reviews that I might write about these rules. Well, I finally gave myself the time to do it. First comes the rule (condensed), then what I think about it. Here are the Rules as Van Dine wrote them . (Incidentally, check out the rest of this excellent mystery reader’s resource: Gaslight ) The rules are meant to apply to whodunnit amateur detective fiction, but the main ones can be applied to police and P.I. fiction as well. I will discuss them mostly in this context, but will also mention genres where the rules don’t apply and authors who have successfully and unsuccessfully broken the rules. 1...

Book 40: The Martian by Andy Weir, audiobook read by Wil Wheaton

Note : This will be a general scattershot discussion about my thoughts on the book and the movie, and not a cohesive review. When movies are based on books I am interested in reading but haven't yet read, I generally wait to read the book until I have seen the movie, but when a movie is made based on a book I have already read, I try to abstain from rereading the book until I have seen the movie. The reason is simple: I am one of those people who can be reduced to near-incoherent rage when a movie severely alters the perfectly good story line of a beloved book, changes the ending beyond recognition or adds unnecessarily to the story ( The Hobbit , anyone?) without any apparent reason. I don't mind omissions of unnecessary parts so much (I did not, for example, become enraged to find Tom Bombadil missing from The Lord of the Rings ), because one expects that - movies based on books would be TV-series long if they tried to include everything, so the material must be pared down ...