Skip to main content

What's in a Name challenge review: The Marsh Arabs by Wilfred Thesiger

This is the third What's in a Name challenge book I finish, the topographical feature, that of course being a marsh. This means I am halfway there, and one more TBR book down.

The Marsh Arabs is a travelogue that, along with another travelogue by the same author, Arabian Sands, often appears on lists of best travel books and classics of the genre. It's easy to see why. The style is straightforward and no-nonsense, yet never dry or boring and it was refreshing for a change to read a travelogue by someone who knew exactly who he was and what he was doing, rather than the more common "searching for meaning and/or identity" travelogue so common today.

In 1951 to 58 Wilfred Thesiger spent several months of each year in the marshes of southern Iraq, getting to know the inhabitants, their way of life and customs. He seems to have travelled to this particular area in search of people who were not yet too modernised to have lost all connection with their past and the land, and like most of the best travel writers he seems to have made his expeditions there solely for his own enjoyment.

He describes his life with and travels among the Maʻdān people, the Marsh Arabs of the title, and intersperses his account with information about their day-to-day lives, what they ate, how they built their houses and made their boats, their social structure, marriage traditions and burial customs and last, but not least, blood feuds that would have made the Vikings proud. He shows he had respect for the marsh-dwellers but expresses regret and disdain for the educated among them who he thought had been made discontented with their lot by teachers who couldn't understand why anyone would want to live in the marshes. In this, he shows an attitude reminiscent of the ideal of the 'noble savage', whereby the observer desires to keep the idealised people frozen in time whether they want to nor not. In his case, he knew he was observing a disappearing way of life which he deplored but could do nothing about. The best he was able to do was to record what he saw for posterity.
Despite the obviously Victorian attitudes of the author, I am still giving it 4 stars.

This is one of those books that, when they end, has one wondering what happened next. I do know that Saddam Hussein later came along and drained the marshes, reducing them to a tenth of their original size and scattering most of the Maʻdān, with all the evils that the sudden uprooting of a traditional culture can have. At least the people Thesiger observed leaving the marshes in the fifties were doing it of their own free will.

Now I think I'll need to get my hands on Gavin Young's Return to the Marshes (1977) and then Rory Stewart's Prince of the Marshes (2006), to see what has changed.

Comments

Popular posts from this blog

Book 7: Shadow of the Sun by Ryszard Kapuściński (reading notes)

-This reads like fiction - prose more beautiful than one has come to expect from non-fiction and many of the chapters are structured like fiction stories. There is little continuity between most of the chapters, although some of the narratives or stories spread over more than one chapter. This is therefore more a collection of short narratives than a cohesive entirety. You could pick it up and read the chapters at random and still get a good sense of what is going on. -Here is an author who is not trying to find himself, recover from a broken heart, set a record, visit 30 countries in 3 weeks or build a perfectly enviable home in a perfectly enviable location, which is a rarity within travel literature, but of course Kapuściński was in Africa to work, and not to travel for spiritual, mental or entertainment purposes (he was the Polish Press Agency's Africa correspondent for nearly 30 years). -I have no way of knowing how well Kapuściński knew Africa - I have never been there...

How to make a simple origami bookmark

Here are some instructions on how to make a simple origami (paper folding) bookmark: Take a square of paper. It can be patterned origami paper, gift paper or even office paper, just as long as it’s easy to fold. The square should not be much bigger than 10 cm/4 inches across, unless you intend to use the mark for a big book. The images show what the paper should look like after you follow each step of the instructions. The two sides of the paper are shown in different colours to make things easier, and the edges and fold lines are shown as black lines. Fold the paper in half diagonally (corner to corner), and then unfold. Repeat with the other two corners. This is to find the middle and to make the rest of the folding easier. If the paper is thick or stiff it can help to reverse the folds. Fold three of the corners in so that they meet in the middle. You now have a piece of paper resembling an open envelope. For the next two steps, ignore the flap. Fold the square diagonally in two. Yo...

Bibliophile discusses Van Dine’s rules for writing detective stories

Writers have been putting down advice for wannabe writers for centuries, about everything from how to captivate readers to how to build a story and write believable characters to getting published. The mystery genre has had its fair share, and one of the best known advisory essays is mystery writer’s S.S. Van Dine’s 1928 piece “Twenty rules for writing detective stories.” I mentioned in one of my reviews that I might write about these rules. Well, I finally gave myself the time to do it. First comes the rule (condensed), then what I think about it. Here are the Rules as Van Dine wrote them . (Incidentally, check out the rest of this excellent mystery reader’s resource: Gaslight ) The rules are meant to apply to whodunnit amateur detective fiction, but the main ones can be applied to police and P.I. fiction as well. I will discuss them mostly in this context, but will also mention genres where the rules don’t apply and authors who have successfully and unsuccessfully broken the rules. 1...