Short stories 81-85

“A Rock and a Hard Place”, by Nancy Pickard. From Women on the Case. An interesting story about crime prevention with an intriguing protagonist.

“Being”, by Richard Matheson. From A Treasury of American Horror Stories. Quite a good alien horror story from a master storyteller.

“Heaven”, Mary Beckett. From Wildish Things. A story about a woman who values quiet so much that she becomes addicted to it, but doesn’t really begin to appreciate it until she no longer has much chance of enjoying it.

“New Moon and Rattlesnakes”, by Wendy Hornsby. From The Mysterious West. There are no limits to what a desperate woman will do. Made me want to read more, so I'll have to say Recommended.

“Eye Witness”, by Ellis Peters From A Rare Benedictine. A tale of robbery and how the money was recovered with a little guile.

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How to make a simple origami bookmark

Here are some instructions on how to make a simple origami (paper folding) bookmark: Take a square of paper. It can be patterned origami paper, gift paper or even office paper, just as long as it’s easy to fold. The square should not be much bigger than 10 cm/4 inches across, unless you intend to use the mark for a big book. The images show what the paper should look like after you follow each step of the instructions. The two sides of the paper are shown in different colours to make things easier, and the edges and fold lines are shown as black lines. Fold the paper in half diagonally (corner to corner), and then unfold. Repeat with the other two corners. This is to find the middle and to make the rest of the folding easier. If the paper is thick or stiff it can help to reverse the folds. Fold three of the corners in so that they meet in the middle. You now have a piece of paper resembling an open envelope. For the next two steps, ignore the flap. Fold the square diagonally in two. Yo...

Book 40: The Martian by Andy Weir, audiobook read by Wil Wheaton

Note : This will be a general scattershot discussion about my thoughts on the book and the movie, and not a cohesive review. When movies are based on books I am interested in reading but haven't yet read, I generally wait to read the book until I have seen the movie, but when a movie is made based on a book I have already read, I try to abstain from rereading the book until I have seen the movie. The reason is simple: I am one of those people who can be reduced to near-incoherent rage when a movie severely alters the perfectly good story line of a beloved book, changes the ending beyond recognition or adds unnecessarily to the story ( The Hobbit , anyone?) without any apparent reason. I don't mind omissions of unnecessary parts so much (I did not, for example, become enraged to find Tom Bombadil missing from The Lord of the Rings ), because one expects that - movies based on books would be TV-series long if they tried to include everything, so the material must be pared down ...

Bibliophile discusses Van Dine’s rules for writing detective stories

Writers have been putting down advice for wannabe writers for centuries, about everything from how to captivate readers to how to build a story and write believable characters to getting published. The mystery genre has had its fair share, and one of the best known advisory essays is mystery writer’s S.S. Van Dine’s 1928 piece “Twenty rules for writing detective stories.” I mentioned in one of my reviews that I might write about these rules. Well, I finally gave myself the time to do it. First comes the rule (condensed), then what I think about it. Here are the Rules as Van Dine wrote them . (Incidentally, check out the rest of this excellent mystery reader’s resource: Gaslight ) The rules are meant to apply to whodunnit amateur detective fiction, but the main ones can be applied to police and P.I. fiction as well. I will discuss them mostly in this context, but will also mention genres where the rules don’t apply and authors who have successfully and unsuccessfully broken the rules. 1...

Reading in Reykjavík

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