Skip to main content

Mystery review: My Soul to Take by Yrsa Sigurðardóttir

This book is due to be published in Britain and the USA in April.

Original Icelandic title: Sér grefur gröf
Genre: Murder mystery
Year of publication: 2006
No. in series: 2
Series detective: Þóra Guðmundsdóttir
Type of investigator: Lawyer
Setting & time: Snæfellsnes, Iceland; contemporary

Story:
Þóra’s client, a hotel owner in Snæfellsnes (south-western Iceland), wants to sue the people who sold him the land for the hotel on the basis of the place being haunted. This would not be a problem if the hotel were an ordinary one, but it is a new age health spa and some of the staff claim to be sensitive to that sort of thing, the owner included. Þóra goes up there to investigate and prepare the lawsuit (or rather to dissuade the client to go on with it), but arrives in the middle of a murder investigation. The architect who designed the hotel has been brutally murdered, and when a second person connected with the hotel is murdered as well, Þóra’s client is arrested on suspicion of being responsible. He asks her to investigate, and she starts looking for clues that lead her to start digging into the past.

Review:
Here is an interesting puzzle mystery that utilizes Icelandic folk tales and beliefs as part of the plot, as well as touching on a part of Icelandic history that most people would like to forget ever happened. The book is full of interesting characters and strong emotions, and there are a number of people who could have wanted to kill the victims, not all of them for obvious reasons. The story does get a bit long-winded at times, with periods of little action and much reflection or descriptions of nature, but the plotting is good and the puzzle is satisfyingly complicated.

Þóra has become a more likeable character than she was in the previous book, but her personal life, while providing some comic relief like in the previous book, has now become too prominent in the story, as has her relationship with Matthew, whom she met in the previous book. His presence in the story is, in my opinion, not really necessary from the viewpoint of an Icelandic reader, and he is certainly not needed for the point of view of the investigation, but he makes an excellent vehicle for the author to use to explain certain things to a foreign reader without the explanations looking too forced (i.e. Þóra is always telling him things).

Rating: Another good mystery from Yrsa Sigurðardóttir. 3+ stars.

Comments

Popular posts from this blog

Book 7: Shadow of the Sun by Ryszard Kapuściński (reading notes)

-This reads like fiction - prose more beautiful than one has come to expect from non-fiction and many of the chapters are structured like fiction stories. There is little continuity between most of the chapters, although some of the narratives or stories spread over more than one chapter. This is therefore more a collection of short narratives than a cohesive entirety. You could pick it up and read the chapters at random and still get a good sense of what is going on. -Here is an author who is not trying to find himself, recover from a broken heart, set a record, visit 30 countries in 3 weeks or build a perfectly enviable home in a perfectly enviable location, which is a rarity within travel literature, but of course Kapuściński was in Africa to work, and not to travel for spiritual, mental or entertainment purposes (he was the Polish Press Agency's Africa correspondent for nearly 30 years). -I have no way of knowing how well Kapuściński knew Africa - I have never been there...

Bibliophile discusses Van Dine’s rules for writing detective stories

Writers have been putting down advice for wannabe writers for centuries, about everything from how to captivate readers to how to build a story and write believable characters to getting published. The mystery genre has had its fair share, and one of the best known advisory essays is mystery writer’s S.S. Van Dine’s 1928 piece “Twenty rules for writing detective stories.” I mentioned in one of my reviews that I might write about these rules. Well, I finally gave myself the time to do it. First comes the rule (condensed), then what I think about it. Here are the Rules as Van Dine wrote them . (Incidentally, check out the rest of this excellent mystery reader’s resource: Gaslight ) The rules are meant to apply to whodunnit amateur detective fiction, but the main ones can be applied to police and P.I. fiction as well. I will discuss them mostly in this context, but will also mention genres where the rules don’t apply and authors who have successfully and unsuccessfully broken the rules. 1...

List love: 10 recommended stories with cross-dressing characters

This trope is almost as old as literature, what with Achilles, Hercules and Athena all cross-dressing in the Greek myths, Thor and Odin disguising themselves as women in the Norse myths, and Arjuna doing the same in the Mahabaratha. In modern times it is most common in romance novels, especially historicals in which a heroine often spends part of the book disguised as a boy, the hero sometimes falling for her while thinking she is a boy. Occasionally a hero will cross-dress, using a female disguise to avoid recognition or to gain access to someplace where he would never be able to go as a man. However, the trope isn’t just found in romances, as may be seen in the list below, in which I recommend stories with a variety of cross-dressing characters. Unfortunately I was only able to dredge up from the depths of my memory two book-length stories I had read in which men cross-dress, so this is mostly a list of women dressed as men. Ghost Riders by Sharyn McCrumb. One of the interwove...