Skip to main content

Review of Sullivan’s Woman by Nora Roberts

This is my second book in the Bibliophilic Books Challenge. It qualifies because it features a writer as the heroine. Her writing is very important to her and the narrative frequently shows her writing, working out scenes or joking about her manuscript and its journey from publisher to publisher. Technically speaking, it could go in the Global Challenge as well, but I am trying to read all new (to me) authors in that one, so I’m not counting it in.

Year published: 1984
Genre: Romance
Setting & time: San Francisco, contemporary (modern timeless)

Struggling writer Cassidy St. John can’t keep any job for long, so being offered a steady one sitting for celebrated painter Colin Sullivan is a blessing... to begin with. Colin is a hard taskmaster, egotistical, passionate and extremely sexy and it isn’t long before Cassidy has fallen in love with him. But Colin is known for not sticking to any one woman for long, and Cassidy is not the kind of woman who likes being discarded like yesterday’s newspaper. She knows her heart is going to get broken, but she can’t help being attracted to him.

This is an early Nora Roberts novel, with the typical larger-than-life hero and a heroine who can’t keep away from him even if she knows he’s trouble. There are none of the thriller or fantasy elements of Robert’s later romances, just a basic, tempestuous love story with all the doubts, hesitations, passion, kisses and misunderstandings you can expect from a good romance novel. And, interestingly enough, no sex. This was rather a surprise, as Roberts is known for writing scorching love/sex scenes, but in this case it just makes the book better because the suggestion of sex hangs between the heroine and hero through the whole book but the lack of actual between-the-sheets action builds up to an almost frenzied tension between them which drives much of the plot.
3 stars.

Comments

Popular posts from this blog

Book 7: Shadow of the Sun by Ryszard Kapuściński (reading notes)

-This reads like fiction - prose more beautiful than one has come to expect from non-fiction and many of the chapters are structured like fiction stories. There is little continuity between most of the chapters, although some of the narratives or stories spread over more than one chapter. This is therefore more a collection of short narratives than a cohesive entirety. You could pick it up and read the chapters at random and still get a good sense of what is going on. -Here is an author who is not trying to find himself, recover from a broken heart, set a record, visit 30 countries in 3 weeks or build a perfectly enviable home in a perfectly enviable location, which is a rarity within travel literature, but of course Kapuściński was in Africa to work, and not to travel for spiritual, mental or entertainment purposes (he was the Polish Press Agency's Africa correspondent for nearly 30 years). -I have no way of knowing how well Kapuściński knew Africa - I have never been there...

Bibliophile discusses Van Dine’s rules for writing detective stories

Writers have been putting down advice for wannabe writers for centuries, about everything from how to captivate readers to how to build a story and write believable characters to getting published. The mystery genre has had its fair share, and one of the best known advisory essays is mystery writer’s S.S. Van Dine’s 1928 piece “Twenty rules for writing detective stories.” I mentioned in one of my reviews that I might write about these rules. Well, I finally gave myself the time to do it. First comes the rule (condensed), then what I think about it. Here are the Rules as Van Dine wrote them . (Incidentally, check out the rest of this excellent mystery reader’s resource: Gaslight ) The rules are meant to apply to whodunnit amateur detective fiction, but the main ones can be applied to police and P.I. fiction as well. I will discuss them mostly in this context, but will also mention genres where the rules don’t apply and authors who have successfully and unsuccessfully broken the rules. 1...

List love: 10 recommended stories with cross-dressing characters

This trope is almost as old as literature, what with Achilles, Hercules and Athena all cross-dressing in the Greek myths, Thor and Odin disguising themselves as women in the Norse myths, and Arjuna doing the same in the Mahabaratha. In modern times it is most common in romance novels, especially historicals in which a heroine often spends part of the book disguised as a boy, the hero sometimes falling for her while thinking she is a boy. Occasionally a hero will cross-dress, using a female disguise to avoid recognition or to gain access to someplace where he would never be able to go as a man. However, the trope isn’t just found in romances, as may be seen in the list below, in which I recommend stories with a variety of cross-dressing characters. Unfortunately I was only able to dredge up from the depths of my memory two book-length stories I had read in which men cross-dress, so this is mostly a list of women dressed as men. Ghost Riders by Sharyn McCrumb. One of the interwove...