When is a book worth reading from start to finish?

I decided to rework this old essay from my original 52 books blog and re-post it, because this subject seems to be on people’s minds right now, at least considering how many of the book bloggers whose blogs I regularly visit have written about it in the last couple of months.

Everyone has different criteria for deciding if a book is worth finishing.
Some will read any book to the end, slogging through piles of tripe or suffering endless boredom just so they can say they have read it. Several people I know of did this with The DaVinci Code and/or The Name of the Rose. (Please note that I am not belittling either book. It just so happens that many people think the former is tripe and the latter is boring).
Others will give it a couple of chapters (or 50 pages or so in the case of “chapterless” books like those of Terry Pratchett) before deciding.
Still others will read the reviews, read the blurb, skim the book and read the ending, and then decide they’re not interested.
Each method has its merits.

As for myself, I have occasionally finished badly written books because the story or concept was interesting in spite of the bad writing, or there was something I just had to find out (usually the resolution, but sometimes some small detail). More often, I will just stop reading.

If a writer's style annoys me, I stop reading if it continues to annoy after I have read about 20-25% of the pages. This means about 50 pages of an average length novel. One example is Elizabeth Peters. I started reading one of her Amelia Peabody mysteries and found the style very annoying, so I stopped reading. However, I tried again and loved both of the books in the series that I have read so far.

If a book is dull but well written, I give it about 100 pages, because some stories start very slowly, especially long novels that need to explain a lot of background before the actual story starts. If it has not picked up by then, I stop reading (unless the book was recommended by a reliable reader, in which case I may read another 100 pages). This happens mostly with long novels and non-fiction, especially travel books.

Sometimes I come across books that tell a good story and are, for the most part, well written, but there is something missing, some spark or soul that would make an average book into a good one and a great one into a masterpiece. Those I usually finish. The Secret Life of Bees by Sue Monk Kidd and The Eyre Affair by Jasper Fforde are good examples.

Sometimes books are spoiled for me by other books. Those I put aside to read at a later time when I have forgotten the book that did the spoiling. I stopped reading Gail Anderson-Dargatz's book The Cure for Death by Lightning because I had recently read The Secret Life of Bees, had not liked it much, and found too many similarities in the first chapter of Cure (both are about girls from dysfunctional families). I am assured by people who have read both that Cure... is far superior to Bees..., but I need to distance myself before I can enjoy it.

I am always ready to give authors whose books I have not liked in the past a second chance, and have usually not regretted it. Even the best of writers sometimes write bad books.

Book 40: The Martian by Andy Weir, audiobook read by Wil Wheaton

Note : This will be a general scattershot discussion about my thoughts on the book and the movie, and not a cohesive review. When movies are based on books I am interested in reading but haven't yet read, I generally wait to read the book until I have seen the movie, but when a movie is made based on a book I have already read, I try to abstain from rereading the book until I have seen the movie. The reason is simple: I am one of those people who can be reduced to near-incoherent rage when a movie severely alters the perfectly good story line of a beloved book, changes the ending beyond recognition or adds unnecessarily to the story ( The Hobbit , anyone?) without any apparent reason. I don't mind omissions of unnecessary parts so much (I did not, for example, become enraged to find Tom Bombadil missing from The Lord of the Rings ), because one expects that - movies based on books would be TV-series long if they tried to include everything, so the material must be pared down

List love: 10 recommended stories with cross-dressing characters

This trope is almost as old as literature, what with Achilles, Hercules and Athena all cross-dressing in the Greek myths, Thor and Odin disguising themselves as women in the Norse myths, and Arjuna doing the same in the Mahabaratha. In modern times it is most common in romance novels, especially historicals in which a heroine often spends part of the book disguised as a boy, the hero sometimes falling for her while thinking she is a boy. Occasionally a hero will cross-dress, using a female disguise to avoid recognition or to gain access to someplace where he would never be able to go as a man. However, the trope isn’t just found in romances, as may be seen in the list below, in which I recommend stories with a variety of cross-dressing characters. Unfortunately I was only able to dredge up from the depths of my memory two book-length stories I had read in which men cross-dress, so this is mostly a list of women dressed as men. Ghost Riders by Sharyn McCrumb. One of the interwove

First book of 2020: The Best Exotic Marigold Hotel by Deborah Moggach (reading notes)

I don't know if I've mentioned it before, but I loathe movie tie-in book covers because I feel they are (often) trying to tell me how I should see the characters in the book. The edition of Deborah Moggach's These Foolish Things that I read takes it one step further and changes the title of the book into the title of the film version as well as having photos of the ensemble cast on the cover. Fortunately it has been a long while since I watched the movie, so I couldn't even remember who played whom in the film, and I think it's perfectly understandable to try to cash in on the movie's success by rebranding the book. Even with a few years between watching the film and reading the book, I could see that the story had been altered, e.g. by having the Marigold Hotel's owner/manager be single and having a romance, instead being of unhappily married to an (understandably, I thought) shrewish wife. It also conflates Sonny, the wheeler dealer behind the retireme

Reading in Reykjavík

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