- "Death in the Dawntime", by F. Gwynplaine MacIntyre. From The Mammoth Book of Historical Detectives. A detective story set among Australian aborigines, about 35.000 years B.C.E. Interesting.
- "The Return of the Crusader", by Anonymous. From The Penguin Book of French Short Stories. A very short 15th century story about infidelity. Originally an oral tale, the period's equivalent of an urban legend, told to amuse people at court.
- "Parties Unknown by the Jury: Or, the Valour of my Tongue", by P.M. Carlson. From Women on the Case. A historical crime story, partly based on a real lynching case. Interesting voice and well written.
- "The Ruff", by Michael and Mollie Hardwick. From 50 Great Horror Stories. A nasty, haughty girl gets a comeuppance. Historical, Poe-esque and pretty good.
- "Beauty and the Beast". Fairy tale from Best-loved Folktales of the World. This is the longest and most detailed version I have read of this story. Recommended.
Note : This will be a general scattershot discussion about my thoughts on the book and the movie, and not a cohesive review. When movies are based on books I am interested in reading but haven't yet read, I generally wait to read the book until I have seen the movie, but when a movie is made based on a book I have already read, I try to abstain from rereading the book until I have seen the movie. The reason is simple: I am one of those people who can be reduced to near-incoherent rage when a movie severely alters the perfectly good story line of a beloved book, changes the ending beyond recognition or adds unnecessarily to the story ( The Hobbit , anyone?) without any apparent reason. I don't mind omissions of unnecessary parts so much (I did not, for example, become enraged to find Tom Bombadil missing from The Lord of the Rings ), because one expects that - movies based on books would be TV-series long if they tried to include everything, so the material must be pared down
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