02 May 2013
Reading report for April 2013
I read 20 books in April, all but one of which I started and ended within the month. The exception was Tim Moore‘s Nul Points, which I was reading last year but set aside as I found it somewhat bleak. I picked it up again and finally finished it, discovering that either I wasn‘t in the right mood when I first began reading it, or the last three chapters were more upbeat than the previous ones. I even got some laughs out of it. It's not as good as some of his other efforts, but as always very informative. This time around he was digging into the history of the Eurovision Song contest and going around interviewing the people who came last in the contest with zero points.
Of the 20 books, 8 were TBR books, which puts me at 31 TBR books read this year, which is not bad at all. It looks like I may reach the goal of 50 before the end of the summer, and since I am currently reading more of them than I am buying, the purpose of the TBR challenge has been achieved.
I have been spring cleaning and rearranging my living room and got a number of unabridged audio editions of Dorothy L. Sayers‘ Lord Peter Wimsey novels to listen to, since it's impossible to read while dragging around furniture and mopping floors. Three of those were re“reads“ (Whose Body?, Strong Poison and Have his Carcase) and the remaining two were new to me. All were read by actor Ian Carmichael, who did it very well. I am now considering buying (if they are available) the DVDs of the TV series in which he starred as Lord Peter.
The month‘s stand-outs were Can Any Mother Help Me? and Let's Not Go to the Dogs Tonight. The former gives an insight in the the lives of British women in the 20th century, and the latter a by turns horrific and fascinating look at the lives of a family of white farmers in Africa during the 1970s and 80s in Rhodesia/Zimbabwe, Zambia and Malawi. I also enjoyed The Fantastic Art of Boris Vallejo, although I wish they had included more of his fantastic romance novel covers in the collection.
As a modern retelling of a beloved Jane Austen novel, Fitzwilliam Darcy, Rock Star was a nice effort, but would have been better if there had been less sex in it. I know there is supposed to be lots of sex in rock star romances, but it's not good when the sex begins to take away from the romance.
Jenna Bailey: Can Any Mother Help Me?. Women‘s history.
Alexandra Fuller: Let's Not Go to the Dogs Tonight. Memoir.
Paul Gallico: Mrs. Harris Goes to Moscow. Humorous novel.
Rachel Gibson: I'm in No Mood for Love, Crazy on You and Rescue Me. Romance, contemporary.
Chris Mattison: Snake. Ophiology.
Tim Moore: Nul Points. Music history.
Heather Lynn Rigaud: Fitzwilliam Darcy, Rock Star. Romance, contemporary; Pride and Prejudice retelling (and bonkfest)
Nora Roberts: The Next Always, The Last Boyfriend and The Perfect Hope . Romance, contemporary.
Dorothy L. Sayers: Strong Poison, Whose Body? and Have His Carcase . Murder mysteries. Rereads.
Dorothy L. Sayers :Unnatural Death and Murder Must Advertise . Murder mysteries.
Arthur Upfield: Wings Above the Diamantina. Mystery.
Boris Vallejo & Lester del Rey: The Fantastic Art of Boris Vallejo. Art. Book covers.
Patricia Wentworth: The Watersplash. Murder mystery.