Skip to main content

Mystery review: Have Mercy on Us All by Fred Vargas

Fred Vargas’ books are only just beginning to be published in Icelandic. I read this one first as it is the first one published, but it turns out that the second book to be published in Icelandic (English title Seeking Whom He May Devour) is an earlier book in the Adamsberg series. I hope it doesn’t matter much.

I actually read the Icelandic translation, Kallarinn, but I’m giving the English title so my English-speaking readers know which book I am talking about.

Original French title: Pars vite et reviens tard
Genre: Murder mystery
Year of publication: 2001
No. in series: 4
Series detective: Commissaire Jean-Baptiste Adamsberg
Type of investigator: Police
Setting & time: Paris (mostly, France), contemporary

Story:
A man who has revived the ancient profession of town crier has been getting messages that are copied passages from old books about the Plague. At the same time the police are baffled by a mysterious symbol that appears on doors across Paris and turns out to be a protective sign against the Plague. Soon, people who lived in the buildings with the marked doors but whose doors were not marked, start dying. It is really the Plague, or are Adamsberg and company dealing with a very clever killer with a specific motive?

Review:
This is an excellent book on several levels, not just as a mystery but as a novel. The quality of the writing is excellent, the characters and their interpersonal relationships are realistic, and the mystery is layered and complicated. Additionally, there is some interesting information about the Plague woven into the narrative, and you know that Vargas isn’t making these things up, because she is an expert on the Plague. The story is told from several points of view, mostly that of Joss Le Guerns, the town crier who receives and reads the Plague messages, and that of the police, mostly Adamsberg but also his sidekick, Danglard. This makes it possible for the reader to compete with the detective, something I always appreciate in a mystery.

The tension builds slowly – you get a sense of creeping menace at the beginning which near the end has become pulse-quickening excitement. And this is no cosy. There are heart-wrenching descriptions of brutality and people doing twisted things to each other. There is staggering unfairness, hatred, envy and lust, but also love and tenderness. All of this comes together to make one hell of a story.

Rating: An excellent read: thrilling, complicated and brutal. 5 stars.

Awards: Prix des libraires

Comments

Popular posts from this blog

Book 7: Shadow of the Sun by Ryszard Kapuściński (reading notes)

-This reads like fiction - prose more beautiful than one has come to expect from non-fiction and many of the chapters are structured like fiction stories. There is little continuity between most of the chapters, although some of the narratives or stories spread over more than one chapter. This is therefore more a collection of short narratives than a cohesive entirety. You could pick it up and read the chapters at random and still get a good sense of what is going on. -Here is an author who is not trying to find himself, recover from a broken heart, set a record, visit 30 countries in 3 weeks or build a perfectly enviable home in a perfectly enviable location, which is a rarity within travel literature, but of course Kapuściński was in Africa to work, and not to travel for spiritual, mental or entertainment purposes (he was the Polish Press Agency's Africa correspondent for nearly 30 years). -I have no way of knowing how well Kapuściński knew Africa - I have never been there...

Bibliophile discusses Van Dine’s rules for writing detective stories

Writers have been putting down advice for wannabe writers for centuries, about everything from how to captivate readers to how to build a story and write believable characters to getting published. The mystery genre has had its fair share, and one of the best known advisory essays is mystery writer’s S.S. Van Dine’s 1928 piece “Twenty rules for writing detective stories.” I mentioned in one of my reviews that I might write about these rules. Well, I finally gave myself the time to do it. First comes the rule (condensed), then what I think about it. Here are the Rules as Van Dine wrote them . (Incidentally, check out the rest of this excellent mystery reader’s resource: Gaslight ) The rules are meant to apply to whodunnit amateur detective fiction, but the main ones can be applied to police and P.I. fiction as well. I will discuss them mostly in this context, but will also mention genres where the rules don’t apply and authors who have successfully and unsuccessfully broken the rules. 1...

List love: 10 recommended stories with cross-dressing characters

This trope is almost as old as literature, what with Achilles, Hercules and Athena all cross-dressing in the Greek myths, Thor and Odin disguising themselves as women in the Norse myths, and Arjuna doing the same in the Mahabaratha. In modern times it is most common in romance novels, especially historicals in which a heroine often spends part of the book disguised as a boy, the hero sometimes falling for her while thinking she is a boy. Occasionally a hero will cross-dress, using a female disguise to avoid recognition or to gain access to someplace where he would never be able to go as a man. However, the trope isn’t just found in romances, as may be seen in the list below, in which I recommend stories with a variety of cross-dressing characters. Unfortunately I was only able to dredge up from the depths of my memory two book-length stories I had read in which men cross-dress, so this is mostly a list of women dressed as men. Ghost Riders by Sharyn McCrumb. One of the interwove...