Fantasy mystery - looking for recommendations

I've been on the lookout for fantasy mysteries for my challenge but haven't really had much luck so far. I have already read all of Terry Pratchett's “Watch” books, so I can't use them in the challenge.

There's something quite appealing about mixed genres, unless the author has gone overboard and the result looks like an Indian masala movie – visually great but too long and narratively incomprehensible. Pratchett has managed to avoid that, and I'm looking for another author who has managed to do the same and I would appreciate recommendations. It doesn't have to be in the Pratchett style.

Here are a couple of fantasy mysteries by two authors I hold in high regard:

Terry Pratchett: Theatre of Cruelty

Neil Gaiman: The Case of the Four and Twenty Blackbirds

Comments

Lee said…

I don't think you can call my YA fantasy MORTAL GHOST a conventional mystery, though there is a mystery at the heart of it: who is the stranger being tortured in Jesse's visions? The novel will begin serialization soon in weekly instalments.

July 19, 2006 7:38 am

Bibliophile said…

I definitely plan on reading your novel, Lee, and I might even review it.

July 21, 2006 7:56 am

Lee said…

Thanks. I'm happy for all feedback, including the negative stuff. The first chapter should go up next week - just ironing out banner bugs.

July 21, 2006 12:09 pm

Book 7: Shadow of the Sun by Ryszard Kapuściński (reading notes)

-This reads like fiction - prose more beautiful than one has come to expect from non-fiction and many of the chapters are structured like fiction stories. There is little continuity between most of the chapters, although some of the narratives or stories spread over more than one chapter. This is therefore more a collection of short narratives than a cohesive entirety. You could pick it up and read the chapters at random and still get a good sense of what is going on. -Here is an author who is not trying to find himself, recover from a broken heart, set a record, visit 30 countries in 3 weeks or build a perfectly enviable home in a perfectly enviable location, which is a rarity within travel literature, but of course Kapuściński was in Africa to work, and not to travel for spiritual, mental or entertainment purposes (he was the Polish Press Agency's Africa correspondent for nearly 30 years). -I have no way of knowing how well Kapuściński knew Africa - I have never been there...

Bibliophile discusses Van Dine’s rules for writing detective stories

Writers have been putting down advice for wannabe writers for centuries, about everything from how to captivate readers to how to build a story and write believable characters to getting published. The mystery genre has had its fair share, and one of the best known advisory essays is mystery writer’s S.S. Van Dine’s 1928 piece “Twenty rules for writing detective stories.” I mentioned in one of my reviews that I might write about these rules. Well, I finally gave myself the time to do it. First comes the rule (condensed), then what I think about it. Here are the Rules as Van Dine wrote them . (Incidentally, check out the rest of this excellent mystery reader’s resource: Gaslight ) The rules are meant to apply to whodunnit amateur detective fiction, but the main ones can be applied to police and P.I. fiction as well. I will discuss them mostly in this context, but will also mention genres where the rules don’t apply and authors who have successfully and unsuccessfully broken the rules. 1...

Book 40: The Martian by Andy Weir, audiobook read by Wil Wheaton

Note : This will be a general scattershot discussion about my thoughts on the book and the movie, and not a cohesive review. When movies are based on books I am interested in reading but haven't yet read, I generally wait to read the book until I have seen the movie, but when a movie is made based on a book I have already read, I try to abstain from rereading the book until I have seen the movie. The reason is simple: I am one of those people who can be reduced to near-incoherent rage when a movie severely alters the perfectly good story line of a beloved book, changes the ending beyond recognition or adds unnecessarily to the story ( The Hobbit , anyone?) without any apparent reason. I don't mind omissions of unnecessary parts so much (I did not, for example, become enraged to find Tom Bombadil missing from The Lord of the Rings ), because one expects that - movies based on books would be TV-series long if they tried to include everything, so the material must be pared down ...

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