Skip to main content

Mystery author #13: Georges Simenon. Part 2

Title:Maigret in Exile
Original French title: La Maison du juge.
Translator: Eileen Ellenbogen
Series detective: Inspector Maigret
No. in series: 21 (of the novels. If the short stories are included: 42)
Year of publication: 1942
Type of mystery: Murder, whodunnit
Type of investigator: Police
Setting & time: Rural France, 1930’s? (The story was written during WW2, but since there is no mention of the German occupation of France, I’m guessing pre-war)
Some themes: Love, sexual abuse, adultery, hate

Story: Maigret has done something to displease his superiors and has been sent into a kind of exile in a small town on the northern coast of France where nothing ever happens. He has fallen into a boring routine which is broken when a woman from the next town arrives to tell him that a corpse can be seen through her neighbour’s upstairs window. Maigret goes to investigate, and finds the neighbour, a retired judge, trying to dispose of the corpse, apparently not to hide the crime but because he doesn’t want to be involved. After some investigation the body turns out to be that of a young psychiatrist whom Maigret suspects came to examine the judge’s daughter, who is mentally impaired. Possible suspects are the judge, his estranged wife, his estranged son, a young oyster-fisherman from the village who wants to marry the girl, and the girl herself. What unfolds is a story full of pride, passion and skeletons in several closets.

Review: Here is a story where Maigret is finally fully developed as a character, and a likeable character at that. The judge and his family are all more or less messed up, and the case, simple as it seems at first, is full of unexpected twists and turns.
I don’t know if it’s the translation or if it’s Simenon’s vague wording, but it is rather hard to figure our just what is wrong with the judge’s daughter. At first it seems she’s a nymphomaniac who has fits of some kind (I assume she’s epileptic, but that’s just my interpretation), then it seems she may be mad and prone to fits of violence or delusions, and then finally it turns out she’s what is now called “mentally impaired” but back then would have been called “retarded” or “subnormal.” (She is, by the way, quite respectfully handled by the author and Maigret, but not by all of the other characters).

Rating: A twisty whodunit with enough skeletons in closets to please the most hard-core mystery fan. 3+ stars.


Title:Maigret Has Scruples
Original French title: Les Scrupules de Maigret
Translator: Robert Eglesfield
Series detective: Inspector Maigret
No. in series: 48 (of the novels. If the short stories are included: 80)
Year of publication: 1958
Type of mystery: Murder
Type of investigator: Police
Setting & time: Paris, France, 1950’s (?)
Some themes: Love, hate, adultery, psychosis

Story: A man comes to Maigret to tell him that he is sure his wife is trying to poison him and says he wants to police to know this in case something happens to him. A little later the wife comes in and confesses similar fears about the husband. Maigret has forebodings about this and since it is the low season for crime, he is able to put some of his men on the case, which leads to interesting discoveries about both the man and wife. When a poisoning death does occur in their house, it is up to Maigret to unravel what happened and who was responsible.

Review: Here is one of those stories that only work if there is psychosis involved, because a sane person would simply acquire a divorce.

Maigret needs all his powers and knowledge of human nature, plus some “help” from books on psychiatry and psychoanalysis, to unravel a devious plot by a cunning would-be murderer who intends to make the Inspector an accomplice to the crime. Experience and intuition tell Maigret to take the accusations of the couple against each other seriously, but since neither man nor wife will make an official accusation against the other, Maigret can not prevent the crime from taking place. He can only watch from the sidelines as the drama unfolds and be ready to clean up afterwards. This bothers him enough to have the couple watched in the hope he or his men will be able to prevent a tragedy from happening. The unfolding of events is slow and tense, and the crime only takes place a chapter or two from the end of the book, so this is more of a “who will do it” rather than a whodunnit. As this is a crime novel, there is never any doubt that there will be a crime, only the how and the who are in doubt.

Rating: A tense psychological crime thriller, a real nail-biter. 4 stars.


Author review:
I rarely discover authors whose books I can read in quick succession without getting tired of their style, characterisation or formulas. Three or four books is usually enough before I need to take a break, but in the case of Simenon I can see myself going on indefinitely. In the four books I have read so far I have detected no recurrent formula. Maigret is a complex and likeable character who doesn’t have any super-annoying traits (unlike some other sleuths I might mention) and doesn’t work with only one sidekick and actually trusts them to make the right decisions (it’s often the dumb sidekick that gets me annoyed with an author). The books have been translated by different translators who have all given the books some of their style, meaning that although Simenon’s style shines through, it does not get monotonous. There is in fact nothing about the stories to annoy me other than a slight over-tendency towards melodrama, which I can easily live with. All in all, I have to say that Simenon is becoming a firm favourite and I will definitely be reading more of his books.

Next up: Patricia Wentworth

Comments

Popular posts from this blog

Book 40: The Martian by Andy Weir, audiobook read by Wil Wheaton

Note : This will be a general scattershot discussion about my thoughts on the book and the movie, and not a cohesive review. When movies are based on books I am interested in reading but haven't yet read, I generally wait to read the book until I have seen the movie, but when a movie is made based on a book I have already read, I try to abstain from rereading the book until I have seen the movie. The reason is simple: I am one of those people who can be reduced to near-incoherent rage when a movie severely alters the perfectly good story line of a beloved book, changes the ending beyond recognition or adds unnecessarily to the story ( The Hobbit , anyone?) without any apparent reason. I don't mind omissions of unnecessary parts so much (I did not, for example, become enraged to find Tom Bombadil missing from The Lord of the Rings ), because one expects that - movies based on books would be TV-series long if they tried to include everything, so the material must be pared down

Icelandic folk-tale: The Devil Takes a Wife

Stories of people who have made a deal with and then beaten the devil exist all over Christendom and even in literature. Here is a typical one: O nce upon a time there were a mother and daughter who lived together. They were rich and the daughter was considered a great catch and had many suitors, but she accepted no-one and it was the opinion of many that she intended to stay celebrate and serve God, being a very devout  woman. The devil didn’t like this at all and took on the form of a young man and proposed to the girl, intending to seduce her over to his side little by little. He insinuated himself into her good graces and charmed her so thoroughly that she accepted his suit and they were betrothed and eventually married. But when the time came for him to enter the marriage bed the girl was so pure and innocent that he couldn’t go near her. He excused himself by saying that he couldn’t sleep and needed a bath in order to go to sleep. A bath was prepared for him and in he went and

List love: 10 recommended stories with cross-dressing characters

This trope is almost as old as literature, what with Achilles, Hercules and Athena all cross-dressing in the Greek myths, Thor and Odin disguising themselves as women in the Norse myths, and Arjuna doing the same in the Mahabaratha. In modern times it is most common in romance novels, especially historicals in which a heroine often spends part of the book disguised as a boy, the hero sometimes falling for her while thinking she is a boy. Occasionally a hero will cross-dress, using a female disguise to avoid recognition or to gain access to someplace where he would never be able to go as a man. However, the trope isn’t just found in romances, as may be seen in the list below, in which I recommend stories with a variety of cross-dressing characters. Unfortunately I was only able to dredge up from the depths of my memory two book-length stories I had read in which men cross-dress, so this is mostly a list of women dressed as men. Ghost Riders by Sharyn McCrumb. One of the interwove