Top Ten Tuesdays: Top Ten Settings In Books

Top Ten Tuesdays is a meme hosted by The Broke and the Bookish. To see more lists of weird and wonderful places people would like to visit after having read about them in books, please visit the hosting site and click on any or all of the links to the participating blogs.

There are so many places I would have liked to mention, but I am going to stick to ten places. However, next time I don’t participate in Top Ten Tuesdays, I just might post my alternative list of top ten settings instead...

Middle-Earth, especially the Shire and Lothlorien. From The Lord of the Rings trilogy by Tolkien. In real world terms this means New Zealand, because since the movies it is Middle-Earth.
The Discworld, esecially Anhk-Morpork and Lancre. From the Discworld books by Terry Pratchett. Mind you, there are areas of Ankh I would rather avoid, but I would love to visit Unseen University and take a tour of the library in the company of the Librarian. I would also like to climb the Tower of Art and have a drink in the Broken Drum and avoid having a meal off Dibbler's tray, before heading to Lancre and paying a visit to Nanny Ogg.
Arches National Park as described in Desert Solitaire by Edward Abbey. He saw Arches in the 1950s, before it was really developed and he saw it in winter, and as a park ranger he went to places within the park that are closed to visitors. I would love to do that.
Prince Edward Island as described in the Anne books by L.M. Montgomery. It is just so wonderfully idyllic and golden.
Gormenghast castle in the books by Mervyn Peake. All those forgotten, dusty old rooms and strange people are fascinating. Definitely before Steerpike.
The lands beyond the wall, in Stardust by Neil Gaiman. Dangerous and charming.
Brekkukot and environs in Brekkukotsannáll (English title: The Fish Can Sing) by Halldór Laxness (pre-World War I Reykjavík). Another golden and idyllic place, but mostly I would like to see what the area looked like before the urban sprawl began.
Xanth in the books by Piers Anthony. The books have long since gone sadly down-hill, but I thoroughly enjoyed the early ones with all those wacky puns brought to life.
Fantastica from The Neverending Story by Michael Ende. Another potentially very dangerous place, but full of endless places to explore.
Regency England, but only among the aristocratic classes and as described in the books of Georgette Heyer. She manages to make it seem so unutterably romantic and dashing, while the truth of course was somewhat different.

Book 7: Shadow of the Sun by Ryszard Kapuściński (reading notes)

-This reads like fiction - prose more beautiful than one has come to expect from non-fiction and many of the chapters are structured like fiction stories. There is little continuity between most of the chapters, although some of the narratives or stories spread over more than one chapter. This is therefore more a collection of short narratives than a cohesive entirety. You could pick it up and read the chapters at random and still get a good sense of what is going on. -Here is an author who is not trying to find himself, recover from a broken heart, set a record, visit 30 countries in 3 weeks or build a perfectly enviable home in a perfectly enviable location, which is a rarity within travel literature, but of course Kapuściński was in Africa to work, and not to travel for spiritual, mental or entertainment purposes (he was the Polish Press Agency's Africa correspondent for nearly 30 years). -I have no way of knowing how well Kapuściński knew Africa - I have never been there...

Bibliophile discusses Van Dine’s rules for writing detective stories

Writers have been putting down advice for wannabe writers for centuries, about everything from how to captivate readers to how to build a story and write believable characters to getting published. The mystery genre has had its fair share, and one of the best known advisory essays is mystery writer’s S.S. Van Dine’s 1928 piece “Twenty rules for writing detective stories.” I mentioned in one of my reviews that I might write about these rules. Well, I finally gave myself the time to do it. First comes the rule (condensed), then what I think about it. Here are the Rules as Van Dine wrote them . (Incidentally, check out the rest of this excellent mystery reader’s resource: Gaslight ) The rules are meant to apply to whodunnit amateur detective fiction, but the main ones can be applied to police and P.I. fiction as well. I will discuss them mostly in this context, but will also mention genres where the rules don’t apply and authors who have successfully and unsuccessfully broken the rules. 1...

Book 40: The Martian by Andy Weir, audiobook read by Wil Wheaton

Note : This will be a general scattershot discussion about my thoughts on the book and the movie, and not a cohesive review. When movies are based on books I am interested in reading but haven't yet read, I generally wait to read the book until I have seen the movie, but when a movie is made based on a book I have already read, I try to abstain from rereading the book until I have seen the movie. The reason is simple: I am one of those people who can be reduced to near-incoherent rage when a movie severely alters the perfectly good story line of a beloved book, changes the ending beyond recognition or adds unnecessarily to the story ( The Hobbit , anyone?) without any apparent reason. I don't mind omissions of unnecessary parts so much (I did not, for example, become enraged to find Tom Bombadil missing from The Lord of the Rings ), because one expects that - movies based on books would be TV-series long if they tried to include everything, so the material must be pared down ...

Reading in Reykjavík

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