Skip to main content

Review: Bitter Almonds: Recollections and recipes from a Sicilian girlhood, by Mary Taylor Simeti & Maria Grammatico

This book is the memoir of Maria Grammatico, owner of a famous pastry shop in Erice in Sicily where she uses recipes learned while living as an orphan in a convent in the town.

Simeti recorded her story, translated it and organised it for the book, which is the narrative of Grammatico's life, her 15 year stay with the nuns and a little of her impoverished childhood in the Sicilian countryside before that.The loss of her father threw the family into even deeper poverty, and her mother was forced to send her and one of her sisters to live with the nuns, who took in orphans, so she could could feed the rest of the family and ensure the two girls were well looked after.

What followed were years of hard work and deprivation, but also of opportunity. Grammatico learned to form and prepare the pastries the nuns sold to supplement the convent's income and, being a clever girl, she was able to learn the recipes - which the nuns guarded from the girls - by simply watching them being made. Her revenge for her ill-treatment by the nuns was to take the recipes and use them in her own pastry shop, which she opened after she left the convent (which incidentally closed soon after she left).

It's funny that I should have chosen this particular book as the follow-up to Daughters of the House, because the two contain a shared theme or thread, that of people's troubled relationships with the Catholic church. The title Bitter Almonds is apt. Not only can it be read as a reference to the bitterness Maria Grammatico harbours towards the church (but not to God: she seems to be deeply religious, but it's a private religion) after the indifference and casual cruelty she lived through in the convent, but also to the almonds that are used in so many of the pastry recipes she learned in the convent.

Her story, which Simeti says she has organised into a narrative but otherwise not embellished or added anything to, is simply told and gives one an impression of the life in the convent as she experienced it and compares it with the life she knew before. In-between Simeti tells the story of her acquaintance with Grammatico and how she came to write the book.

Last, but certainly not least, are the recipes, which take up a good half of the book. They are mostly ones Grammatico learned in the convent and uses in her pastry shop, and has generously shared with Simeti and the world. I have every intention of trying some of them, perhaps starting with one of the basic recipes that can be turned into more than one kind of pastry.

4 stars.

Comments

Popular posts from this blog

Book 7: Shadow of the Sun by Ryszard Kapuściński (reading notes)

-This reads like fiction - prose more beautiful than one has come to expect from non-fiction and many of the chapters are structured like fiction stories. There is little continuity between most of the chapters, although some of the narratives or stories spread over more than one chapter. This is therefore more a collection of short narratives than a cohesive entirety. You could pick it up and read the chapters at random and still get a good sense of what is going on. -Here is an author who is not trying to find himself, recover from a broken heart, set a record, visit 30 countries in 3 weeks or build a perfectly enviable home in a perfectly enviable location, which is a rarity within travel literature, but of course Kapuściński was in Africa to work, and not to travel for spiritual, mental or entertainment purposes (he was the Polish Press Agency's Africa correspondent for nearly 30 years). -I have no way of knowing how well Kapuściński knew Africa - I have never been there...

Icelandic folk-tale: The Laughing Merman

Icelanders not only believed in the existence of selkies, but also in mer-people. The mermaids were said to be very beautiful, while the mermen were supposed to be ugly as sin but very wise and able to see things others did not. O nce upon a time a farmer went out fishing and pulled up a merman. He tried to get the merman to talk to him but he would not answer, except to beg him to release him back into the sea, but this the farmer refused to do. The farmer rowed back to land, taking the captive merman with him. When he pulled up the boat on the shore, his wife came to him and greeted him with tenderness and kisses, which he received with pleasure. This made the merman laugh. Then the man’s dog came to him and greeted him tenderly in the way of dogs, by jumping up to him, but the farmer hit the dog. Again the merman laughed. Then the farmer walked up towards his house, but on the way he tripped over a tussock and hurt himself. He got angry and gave the tussock a good kicking. Then...

Bibliophile discusses Van Dine’s rules for writing detective stories

Writers have been putting down advice for wannabe writers for centuries, about everything from how to captivate readers to how to build a story and write believable characters to getting published. The mystery genre has had its fair share, and one of the best known advisory essays is mystery writer’s S.S. Van Dine’s 1928 piece “Twenty rules for writing detective stories.” I mentioned in one of my reviews that I might write about these rules. Well, I finally gave myself the time to do it. First comes the rule (condensed), then what I think about it. Here are the Rules as Van Dine wrote them . (Incidentally, check out the rest of this excellent mystery reader’s resource: Gaslight ) The rules are meant to apply to whodunnit amateur detective fiction, but the main ones can be applied to police and P.I. fiction as well. I will discuss them mostly in this context, but will also mention genres where the rules don’t apply and authors who have successfully and unsuccessfully broken the rules. 1...